After the Storm: Stories of Ondoy, edited by Elbert Or
I’m giving this two stars because it frustrates my logic. Back in 2009, the year of Ondoy, I was fifteen years old, and was fully lucid during the entire drama and the unfolding of the events in the national tragedy. Even if my family did not suffer from the floods, we had refugees in our home for a month, and I was in constant contact with some who were dispatched out of their homes. I heard the increasingly alarmed voices on AM radio, I saw the pictures in the television and newspapers, hell, I was there when the rains poured and poured and didn’t stop. Three years ago, I experienced a national trauma, a topic which I conversed in with countless people over the next few weeks, a memory that I learned from and ruminated on and tried to reconcile myself with, just like the millions of Filipinos who will forevermore associate the term, “Ondoy,” with a chill in their spines and hearts.
Ondoy is something that will always, always garner stories and emotions. It was more than just a typhoon—it was a colossal drama, something that you can’t make a book on without destruction, rescue, hope, fear, death. It’s just impossible because Ondoy was just that, and so much more.
But After the Story: Stories of Ondoy is a collection of grade 7 essays crammed into a published compilation. I will admit that some are pretty well-written with slivers of the true fear during Ondoy. But they are few. On the whole, the book seems to have reduced Ondoy to blandness, as if the creation of this book was a chore that could be sloppily performed. The plan for this book is good; the execution is lacking. The essays gave me none of the fear for the lives of my fellowmen. It barely brought me back to those days when I wondered when the rain would stop, or if Manila would ever be the same again, or if, this time, after the bayanihan, the country would start to change for the better.
When people say Ondoy, they think of stories. Everyone has their own. There are thousands of stories, and even more ways of telling them. You don’t need award-winning writers to tell stories. You just want to read the experiences that regular people went through. That was the tragedy, and at the same time, the beauty of Ondoy. I can’t find reason why After the Storm missed it completely.
When people say Ondoy, they think of the entire Metro Manila landscape covered in water, trash hanging on to meters-high electrical wires, people playing basketball in the flood. When I think of Ondoy, I recall the treasure trove of amazing photographs that show us the despair of loss, the unity of villagers, the potency looming within each new low pressure area. This ‘Ondoy’ tribute gives none of that. There are a few pictures, but they are painfully mediocre and are three-by-four inch black and white icons on a bare page.
Don’t even get me started on the front and back cover. It is shameful.
At the end of the book, all I can say is sayang. The compilation could have been amazing, something that people would want to have for their own, something that they feel they had been part of. I just want to turn back time and barge into the editor’s office and tell him to redo the entire project. Nonetheless, I give two little stars: one, because despite the bleh and the fillers, there are some shining pieces of writing in here; and two, because all efforts to preserve collective national memory is always an act of service. In terms of execution though—producing a piece of work that effectively mirrors the trauma that Filipinos went through, with photos and a cover and everything else that is good in a book—as for that, well, I guess we’re still wading in the flood, trying to find our way.


